Contemporary Collection
Different stones are cut, polished and mounted to create decorative inserts.
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Glass Listelli
The designs are etched onto the glass, then handpainted with a brush and sponge, and fired for a rounded rustic shape.
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Metallic Glazes
Approximatey 1/4” x 1-3/4” porcelain pieces are mesh-mounted on approximately square foot sheets. The variation of color is created by blending different metal colored pieces on each sheet. As well as being used as field tile, the sheets can be cut and combined with other field tile to create cost effective feature strips and decorative inserts. Sticks Mosaics are resistant to mild acids.
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Stone Decoratives
Stone Decoratives are created by mixing one of several powders—Carrara, Travertine or Sandstone with resin. The result is a finished effect of stone. The combination of classic designs in various sizes with a neutral palette make this ideal to combine with many other tiles to create fireplace mantles, framed windows or tops of wainscotting.
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Terme Marble Trim
Three styles of marble trims in five classic colors. Elegant and versatile, these trims can be used from wainscotting to backsplashes. Mix and match them with other tile series for beautiful results.
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Metal Borders
Metal Borders are cast in aluminum and bronze. Available in 3 finishes and 5 patterns, these historic and contemporary patterns, with their antique finish, can transform a tile installation from the ordinary to the extraordinary.
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Onyx
Blended onyx colors in a 1 x 1 mosaic mounted on 2-1/2 x 12 strips. Onyx is available in two finishes: Polished and Tumbled.
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Ossido Porcellana
The ancient tradition of casting is used to create this unique and beautiful series. Ossido Porcellana is made entirely of extremely pure white porcelain body and is colored with ceramic oxides. The decorations are made completely by hand. The four glaze colors have a metallic looking finish with variation in both texture and range of color. Some pieces have a matte, metal patina finish, while others have a glossy, polished finish.
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